Portrait of Nick Curtis: The first step in the process of creating a typeface is to determine the rules to be followed (.) After that, creating the font is simply a matter of applying the rules consistently.

Portrait of Michel Bujardet: Unless I decide that letterforms are a piece of art, and therefore have no other purpose than to be hanged on the wall, I have to design them for the ultimate user : the reader

Fedra Sans is a multilingual contemporary sans serif typeface developed for visual identities, designed to work equally well on paper and on the computer screen. Fedra Sans appears to work exceptionally well in small point sizes, while it is elegant and distinguishable in larger ones.

Portrait of Lucas de Groot, type designer: I think type design should be a mixture of intuition and calculation.

Corpid (Corporate Identity) developed out of a commission from Studio Dumbar in The Netherlands for the Dutch Ministry of Agriculture, Nature Management and Fishing.

Portrait of Peter Bilak: I prefer to have a direct contact with the end-users, it shows a lot how fonts really work, and can be inspiring for other type projects.